RECENT:
Photo London 2025, Somerset House, London https://photolondon.org/
’Time’ ArtMoorHouse London https://www.artmoorhouse.com/
Sunny Side Up, Close, Somerset https://www.closeltd.com/
DRAWING NOW ART FAIR PARIS 2024
Anna Mossman selected for PARALLAX
GOLD – Close Ltd, opens 2.12.23 (PV 1-3pm) through 20.1.24
Frequency OHSH Projects South to 12.8.23 curated by Imogen Wetherell
Lines of Empathy, Close Ltd, Somerset UK, curated by Giulia Ricci – to 22.7.23 https://www.closeltd.com/exhibitions/
Interview with Ben Gooding, 2023 online at https://saturationpoint.org.uk/Anna%20Mossman.html
Lines of Empathy, a book of interviews conducted in lockdown between Giulia Ricci and 16 artists working with drawing, including an interview about my large work ’Curved Lines’ 2012-15
Transfer 갈아타다. Korean and British Abstract Painting and the Digital Document curated by Dan Sturgis, Korean Cultural Centre UK
Symposium: Painting in the Age of Digital Reproduction, Art Sonje Centre Theatre, Seoul, Korea:
Anna Mossman paper: ’Some Light in the Shadows: Touch, Time and Movement in Real and Digital Space’*
Photo London 2025, Somerset House, London https://photolondon.org/
’Time’ ArtMoorHouse London https://www.artmoorhouse.com/
Sunny Side Up, Close, Somerset https://www.closeltd.com/
DRAWING NOW ART FAIR PARIS 2024
Anna Mossman selected for PARALLAX
GOLD – Close Ltd, opens 2.12.23 (PV 1-3pm) through 20.1.24
Frequency OHSH Projects South to 12.8.23 curated by Imogen Wetherell
Lines of Empathy, Close Ltd, Somerset UK, curated by Giulia Ricci – to 22.7.23 https://www.closeltd.com/exhibitions/
Interview with Ben Gooding, 2023 online at https://saturationpoint.org.uk/Anna%20Mossman.html
Lines of Empathy, a book of interviews conducted in lockdown between Giulia Ricci and 16 artists working with drawing, including an interview about my large work ’Curved Lines’ 2012-15
Transfer 갈아타다. Korean and British Abstract Painting and the Digital Document curated by Dan Sturgis, Korean Cultural Centre UK
Symposium: Painting in the Age of Digital Reproduction, Art Sonje Centre Theatre, Seoul, Korea:
Anna Mossman paper: ’Some Light in the Shadows: Touch, Time and Movement in Real and Digital Space’*